Gabriel Harkin (
asoncalledgabriel) wrote2018-12-04 09:38 pm
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Love is heavy and light, bright and dark [Dec 8th]
It's been weeks. Gabriel gave up trying to even text Anthony about a week ago and instead threw himself into final rehearsals for Romeo and Juliet. He's tried not to complain to Neil too much about the sudden absence, mostly because he feels stupid for being so worked up about it in the first place. Especially when Neil mentions that Guy's been in a rough patch.
Of course, Anthony must have been trying to take care of his friend. But-- couldn't he stand to answer a text or a call?
He tries to put it out of his mind come opening night. A few hours before the curtain went up, he'd sent Anthony an offhand text.
R&J tonight, curtain up at 7pm.
After that, he leaves his phone on silent and in his bag as they go through final rehearsals and costume adjustments.
For the most part, characters like Mercutio stay in the same costume with minor changes through the show so the audience doesn't lost track of who is who. Gabriel makes his entrance looking like a fashionable young noble of the period, a little more undone than Romeo's other compatriots - a little more fast and loose, as the character is meant to be. He delivers the Queen Mab speech with a dreamer's mania, and his death is impassioned and hopeless all at once.
After his last scene on stage, Gabriel hangs out of sight in the wings, sneaking looks at the audience when he can. The theater is dark, he can't see very far into it, and he doesn't know why he's bothering to look, anyway. Neil told him he wouldn't be able to make opening night and that he plans to come tomorrow or during the closing weekend. He disappears into the dressing room to take off the stage make up caked on his face. He'll still have to go out bow for the curtain call, but he doesn't need contouring or darkened eyebrows for that.
Gabriel reappears for the curtain call and the full cast bow on stage, all bright smiles and exaggerated gestures. He can hear the announcement inviting the audience to mingle with cast members out in the atrium, where light refreshments are being served by one of the student groups.
All he wants to do is change out of his costume and disappear, but Romeo hooks him around the shoulders and hauls him out to the atrium to socialize.
Of course, Anthony must have been trying to take care of his friend. But-- couldn't he stand to answer a text or a call?
He tries to put it out of his mind come opening night. A few hours before the curtain went up, he'd sent Anthony an offhand text.
R&J tonight, curtain up at 7pm.
After that, he leaves his phone on silent and in his bag as they go through final rehearsals and costume adjustments.
For the most part, characters like Mercutio stay in the same costume with minor changes through the show so the audience doesn't lost track of who is who. Gabriel makes his entrance looking like a fashionable young noble of the period, a little more undone than Romeo's other compatriots - a little more fast and loose, as the character is meant to be. He delivers the Queen Mab speech with a dreamer's mania, and his death is impassioned and hopeless all at once.
After his last scene on stage, Gabriel hangs out of sight in the wings, sneaking looks at the audience when he can. The theater is dark, he can't see very far into it, and he doesn't know why he's bothering to look, anyway. Neil told him he wouldn't be able to make opening night and that he plans to come tomorrow or during the closing weekend. He disappears into the dressing room to take off the stage make up caked on his face. He'll still have to go out bow for the curtain call, but he doesn't need contouring or darkened eyebrows for that.
Gabriel reappears for the curtain call and the full cast bow on stage, all bright smiles and exaggerated gestures. He can hear the announcement inviting the audience to mingle with cast members out in the atrium, where light refreshments are being served by one of the student groups.
All he wants to do is change out of his costume and disappear, but Romeo hooks him around the shoulders and hauls him out to the atrium to socialize.
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Many people have rightfully called Anthony Blunt cold, or distant, or unfriendly, but rarely impolite. He is a follower of social niceties, and though technology may have changed, social niceties dictate that one should reply to messages. Social niceties dictate that one should should not ignore one’s appointments. But in these last few weeks, Anthony had done just that.
Guy’s discovery about the future, and his subsequent breakdown, had occupied Anthony’s every waking thought for over a week. Even when Guy had returned from his bender, Anthony had been busy keeping an eye on him. He had seen Gabriel’s messages, yes, but they had fled his mind the moment he read them; he found himself unable to fix on the thought of the lovely, distracting Irish boy when swept up in this realization that his life’s work had been a failure, and his fear that his best friend would put himself in some terrible danger.
But even after the immediate dreadfulness had passed, Anthony had not reached out. Perhaps he did not need to, he told himself. Perhaps it was time to let this silly affair burn out. Perhaps he had not actually committed a faux pas, but had merely done the rational thing. Perhaps it was just as well.
Anthony had nearly convinced himself of that when he sees the text. His heart tightens—stupidly—with guilt, and with the realization that he does want to see Gabriel again. And so he goes, telling himself that the least he can do is wish the boy a sincere congratulations.
Gabriel is transformed as Mercutio, the measured young man gone and replaced with the wild sidekick of Shakespeare’s play. Anthony finds himself surprisingly drawn in, and his applause at the end is more than perfunctory. Afterwards, sipping a drink in the atrium and wondering if he should just slip out again, he sees Gabriel across the room. With a small, polite smile, he raises his hand in greeting.
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He takes a moment to let the anger settle. Gabriel picks up a cup of something and disappears into the crowd, trying not to be obvious in the way he makes his way across the room. Before too long, though, he appears next to Anthony, nearly shoulder to shoulder.
"How is Guy?" he asks, because for a moment it's easier to ask that. Because if he asks about Guy, he's less likely to say something that, perhaps, would sound irrational. Like where the fuck have you been or something more mild but more cutting: I didn't expect to see you.
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Have you really become so susceptible to a pretty face, Anthony Blunt?
The question isn’t the greeting he expects, and he is caught off-guard for a moment. “Guy?”
With a little dread, Anthony wonders what Gabriel has heard, exactly.
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He keeps his eyes ahead, looking at the crowd. He's afraid that if he looks at Anthony too long he'll crack, he'll lose whatever resolve he has to try to be aloof. He sips his drink and finally allows himself to look at Anthony.
Christ, he looks good.
"So, is he alright?"
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Anthony can’t tell Gabriel all of that. He doesn’t know how to be quite that honest.
“You were very good,” he says, taking half a step closer. But even close together, a gulf seems to remain between them.
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He tries not to let Anthony's praise sink too deep. He wants to wrap up in those words, simple as they were, like a blanket. He's never had anyone praise his acting before coming to Darrow, and he's never wanted anyone's praise so much as he realizes he wants Anthony's. Gabriel tries not to let his breath catch when Anthony moves closer, trying to bridge the space between them.
Gabriel looks at him, allowing a little more concern to show through.
"And you? You're alright after... all that?"
He doesn't know the extent of it. Neil didn't give him details beyond Guy's having a rough time, but he knows how close Anthony is to his friend. If Guy was having a rough time, he had to imagine Anthony was as well. He looks alright, but Gabriel doesn't think that means much.
He wants to cling to his anger, but he can feel it slipping away the longer he lets himself look at Anthony.
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In the end he says none of these things, but he can feel his resolve to leave with little fuss weakening.
“I’m all right.” A beat. “Would you like me to buy you a drink somewhere? Or do you and your fellow thespians already have plans?”
Christ, he was doomed from the moment they spotted one another.
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The question catches him off guard, enough that it takes him a moment to really respond. He should tell Anthony off. He should tell him that he's, he has plans, and then point out the most attractive cast member in his line of sight.
Instead, God help him, he says, "No, I don't have plans. Let me get changed and I'll meet you back here."
Wherever they go, he can't leave here looking like a young, Renaissance noble of wealth and taste.
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But Gabriel says yes, and Anthony relaxes just slightly. “I’ll be outside,” he says when Gabriel tells him that he is going to go change. He steps out into the chilly night air to smoke a cigarette as he waits.
Anthony’s mind drifts to the morning months earlier, when Julian had haunted him all hours of the day and night. With Gabriel beside him, he had jolted awake into one of the nightmares that had become commonplace. And when he had dismissed Gabriel’s concerns, the boy had looked at him so gently and said, don’t do that. Somehow, the kind way he had called him a liar just now makes his heart clench in much the same way.
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You're beautiful, a voice that sounds terribly like Anthony's whispers in his head. He shakes it off and pulls out his cigarettes as he heads out of the backstage area. He waves off a few people when he hears calls to join them at a bar. Not tonight.
It isn't hard to find Anthony outside; there are a handful of people smoking and almost none of them are standing together.
"I didn't think you'd come," he confesses when he's close enough. He saves himself from looking at Anthony's face by taking a moment to light his cigarette.
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And yet, Anthony wonders if he couldn’t look at Gabriel forever, just like this.
But in a moment he is looking into the distance again. He smiles dryly. “You had told me so much about it. I thought I might as well see the end result."
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He thinks of the night they spent together after the dinner he'd gotten dressed up for. He remembers watching in real time as Anthony tried to hide something real and passionate behind his regular cool and collected calm.
Gabriel looks down for a moment, a faint smile tugging at his mouth. Maybe he should be grateful for this, whatever it is.
"I'm glad you did," he says at last. There's something else sitting just on the tip of his tongue, but it feels like too much exposure to say it out loud. He'd missed Anthony.
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Gabriel’s next comment makes Anthony’s chest tight. He doesn’t trust himself to speak for a moment. Instead, he finishes his cigarette.
“How about that drink, then?"
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"Yeah," he says to the drink. He bloody well needs one at this rate. "Wherever you like."
If Anthony plans on buying, Gabriel can at least let him choose the bar.
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He flicks away his cigarette and puts his hands in his pockets as he leads the way towards an elegant little bar not very far away from Barton’s campus.
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He orders his drink and looks at Anthony like he's trying to read something.
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“Do you feel satisfied with how things went tonight?” he asks. Anthony is really very good at ignoring tension when he sets his mind to it.
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When their drinks arrive, he looks up, meeting Anthony's gaze.
"You could've said something. I would've understood."
For all that he's frustrated, his voice comes out calm and even. He wonders if he sounds foolish, or childish. Either would be too much to bear, but if he remains silent he knows it will fester in him like so many other things. Better to have it out.
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He does feel guilty about disappearing; that is, in large part, why he came tonight. But some part of him rebels against the idea that he owes this boy an explanation for his movements. Why? Because they have shared a bed half a dozen times?
“I should not have forgotten our appointment,” he says, because it is easier to apologize for failing to do something he had explicitly promised—that is only polite—than it is to acknowledge that Gabriel deserved some communication about what was happening, some tiny part of his life or his heart, after the time they had spent together.
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Maybe he's being ridiculous. But he doesn't think he imagined the-- the what? The feeling between them. He can't have imagined what he saw and felt during their late-night conversations, when he'd seen Anthony more bare and vulnerable than ever. Don't do that, he'd said when Anthony tried to brush him off. Maybe this entire thing has been more one-sided than he thought, and he hates the creeping threat of humiliation.
He takes a fortifying drink from his glass.
"It's alright," he says, affecting his best impression Anthony's cool and distant tone. "Sorry to have made a thing of it."
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God, how vey foolish he has let himself become.
His expression remains placid, but he shakes his head and waves away the apology. “No, you are quite right. I should have said something.” Anthony lets himself believe that he is still talking about their aborted plan to get drinks together, and not the way he had suddenly abandoned this something that had begun to grow between them.
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Christ, as soon as it's out of his mouth he wants it back. He could just be agreeable. He could just say it's alright and try to make that true, couldn't he? He could sit here and drink and be pleasant and talk about the play as if he hadn't thought Anthony might have disappeared, or written him off.
"It's clear enough where I stand if I don't warrant a word from you in weeks, or a real apology when you do decide to resurface. And it's fine - I ought not have thought more."
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That anger, unfair as it may be, helps him keep his walls in place, as much as he longs for closeness. “And where is it that you think things stand?” he asks with the same unerring mildness.
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His heart is pounding and he can't tell if it's fear or anxiety or something else now. It's been ages since he felt on the verge of an attack like this.
"Either I'm a distraction that you'd like to pick up and put down at will," he pauses and takes a drink because Christ, he needs something to get through this. "Or you think more of me than that and we're being miserable at each other in defense of our pride."
Gabriel is willing to admit that's what he's doing at least. It's taken him this long to realize that's where his bite is coming from. And if that isn't it for Anthony, if it's the former... He isn't sure what he'll do. But it will be humiliating to have been so wrong regardless.
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But that isn’t what happens. As Gabriel answers, voice impressively steady. Anthony turns to stare at the wall behind the bar and sips his drink. Possibly one of the most maddening and beautiful things about Gabriel is his ability to spot artifice and his willingness to call it out. Anthony respects him for that, damn it, and that makes it significantly more difficult to hold onto his disdain.
The silence lingers so long that one might fairly assume that Anthony does not intend to say anything at all. Then, quietly, almost gently, he answers, “I do not wish to pick you up and put you down like a plaything.”
Do not. Anthony doesn’t want things to end between them; he does not want to speak of this in the past tense.
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